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Collection of the Lowe Art Museum, University of Miami
Guanyin, Goddess of Mercy
Collection of the Lowe Art Museum, University of Miami
© Lowe Art Museum, University of Miami. All rights reserved.

Guanyin, Goddess of Mercy

Date17th century
Mediumbronze, lacquer and gilding
DimensionsOverall: 27 1/8 x 10 7/8 x 10 1/4 in. (68.9 x 27.6 x 26 cm)
ClassificationsVisual Works
Credit LineGift of William Luban
Terms
    Object number65.045.022
    DescriptionThe goddess Guanyin was originally an Indian Buddhist male saint, or Bodhisattva, whose names include Padmapani, Avalokitshvara, and Lokitshvara. His name meant “he who hears the cry,” a literal translation of the original Indian name. Starting in the Tang Dynasty, this Bodhisattva was slowly transformed from a male to a female image. Since the Indians believed that their gods had feminine and masculine aspects, it was not difficult for the Chinese to emphasize those female attributes. Four main feminine forms of Guanyin appear in China after the Tang Dynasty – the most popular being the white-robed Guanyin, who had the power to bestow sons, and it was this power that made this foreign goddess popular. By the 16th century, Guanyin became a totally female Chinese deity among the imported Buddhist deities. This standing figure demonstrates the varada mudra that symbolizes charity, compassion, and reward-granting.
    On View
    Not on view
    Collections
    Collection of the Lowe Art Museum, University of Miami
    Ho Chao-zung
    late 16th or early 17th century
    Collection of the Lowe Art Museum, University of Miami
    Artist Unknown
    early 6th century
    Collection of the Lowe Art Museum, University of Miami
    Artist Unknown
    1851-1855
    Collection of the Lowe Art Museum, University of Miami
    Nigeria, Igbo people
    20th century
    Collection of the Lowe Art Museum, University of Miami
    Shen Shoushang
    Spring 1809
    Collection of the Lowe Art Museum, University of Miami
    Gran Coclé
    ca. 850-1000