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Collection of the Lowe Art Museum, University of Miami
The End of a Perfect Day
Collection of the Lowe Art Museum, University of Miami
Held by the artist.

The End of a Perfect Day

Artist/Maker (United States (born Germany), 1893-1959)
Date1939
CultureAmerican
Mediumdrypoint
DimensionsSight: 10 x 12 7/8 in. (25.4 x 32.7 cm)
Sheet: 12 1/2 x 15 1/2 in. (31.8 x 39.4 cm)
ClassificationsVisual Works
Credit LineBequest of Benedict G. Rucker
Terms
    Object number2004.33.6
    On View
    Not on view
    Collections
    Collection of the Lowe Art Museum, University of Miami
    Who Said Peace
    George Grosz
    1930
    Collection of the Lowe Art Museum, University of Miami
    Cigar Maker
    George Grosz
    1936
    Collection of the Lowe Art Museum, University of Miami
    Da donnern sie Sanftmut und Duldung aus ihren Wolken und bringen dem Gott der Liebe Menschenopfer (They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love)
    George Grosz
    1922
    Collection of the Lowe Art Museum, University of Miami
    Self-Portrait
    George Grosz
    not dated (printed 1939)
    Collection of the Lowe Art Museum, University of Miami
    Heilige Nacht
    George Grosz
    not dated (printed 1939)
    Collection of the Lowe Art Museum, University of Miami
    The General
    George Grosz
    not dated (printed 1939)
    Collection of the Lowe Art Museum, University of Miami
    Day and Night
    Jennifer Losch Bartlett
    1978
    Collection of the Lowe Art Museum, University of Miami
    Day and Night
    Jennifer Losch Bartlett
    1978
    Collection of the Lowe Art Museum, University of Miami
    Day and Night
    Jennifer Losch Bartlett
    1978
    Photograph by Thomas Barratt, courtesy Helen Frankenthaler Foundation, New York
    Day One, Edition 30/58
    Helen Frankenthaler
    1987
    Photograph by Thomas Barratt, courtesy Helen Frankenthaler Foundation, New York
    Day one, Working Proof 1 (WP1)
    Helen Frankenthaler
    1987
    Photograph by Thomas Barratt, courtesy Helen Frankenthaler Foundation, New York
    Day One, Cancellation Proof
    Helen Frankenthaler
    1987
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