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Collection of the Lowe Art Museum, University of Miami
Le remède de Mimi Véron (Mimi Veron's Remedy), Plate 124
Collection of the Lowe Art Museum, University of Miami
© Lowe Art Museum, University of Miami. All rights reserved.

Le remède de Mimi Véron (Mimi Veron's Remedy), Plate 124

Artist/Maker (France, 1808-1879)
DateMay 14, 1850
Mediumlithograph
DimensionsSheet: 10 x 14 3/8 in. (25.4 x 36.5 cm)
ClassificationsVisual Works
Credit LineGift of Dr. Daniel J. DelRowe
Terms
    Object number98.0044.55
    On View
    Not on view
    Collections
    Collection of the Lowe Art Museum, University of Miami
    Le festin de Baltazar-Véron (The Feast of Baltazar-Veron), Plate 99
    Honoré Daumier
    March 27, 1850
    Collection of the Lowe Art Museum, University of Miami
    Le festin de Baltazar-Véron (The Feast of Baltazar-Veron), Plate 99
    Honoré Daumier
    March 27, 1850
    Collection of the Lowe Art Museum, University of Miami
    Un cauchemar de Mimi (Mimi's Nightmare), Plate 59
    Honoré Daumier
    January 28, 1850
    Collection of the Lowe Art Museum, University of Miami
    Les Parisiens ayant trouvé moyen de circuler, en temps de pluie, sur les Boulevards macadamisés (Parisians having found a way to move around the asphalted boulevards on rainy days), Plate 156
    Honoré Daumier
    June 29, 1850
    Collection of the Lowe Art Museum, University of Miami
    Le sauvage Bineau ayant enfin trouvé à utiliser sa massue sur les boulevards et fesant connaître aux Parisiens tous les charmes des routes Américaines (Finally the savage Bineau has found a way to use his club on the boulevards and introduce Parisians to all the charmes of American roads), Plate 54
    Honoré Daumier
    June 26, 1850
    Collection of the Lowe Art Museum, University of Miami
    Comme quoi le macadam contrarie spécialement le commerce de la galette (To a certain extent the macadam even afflicted the commerce of pancakes), Plate 161
    Honoré Daumier
    July 10, 1851
    Collection of the Lowe Art Museum, University of Miami
    Les eunuques réformés par le bey de Tunis (Eunuchs Reformed by the Bey of Tunis), Plate 128
    Honoré Daumier
    1860
    Collection of the Lowe Art Museum, University of Miami
    L’inconvénient de se faire bichonner. Saperlotte prenez donc garde vous me brulez! J'ai un rendez vous, je veux que vous me fassiez beau mais pour aller parler de ma flâmme, il n'est pas nécessaire que je sente le roussi! (The inconvenience of having his hair curled. Oh blast look here, watch out you are burning me. I am meeting someone, and I want you to make me look good but in order to declare my burning passion, I don't need to smell scorched!), Plate 31
    Honoré Daumier
    1843-1846
    Collection of the Lowe Art Museum, University of Miami
    Embellissemens de Paris - les nouvelles fortifications de la Cour du Louvre (Beautification of Paris - the new fortifications at the Court of the Louvre), Plate 47
    Honoré Daumier
    December 26, 1850
    Collection of the Lowe Art Museum, University of Miami
    Tiens au milieu de tous les bouleversemens d'Empereurs et de Rois (Amazing, During All This Hassle About Emperors and Kings), Plate 2
    Honoré Daumier
    March 28, 1848
    Collection of the Lowe Art Museum, University of Miami
    L'Empereur d'Autriche et le Roi de Prusse se décidant à combattre avec des armes nouvelles (The Austrian Emperor and the Prussian King Decide to Fight with New Weapons), Plate 40
    Honoré Daumier
    December 13, 1850
    Collection of the Lowe Art Museum, University of Miami
    Le départ de 1850 (Departure of the Year 1850), Plate 51
    Honoré Daumier
    January 4, 1851
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